Mandolin Trainer Tunes

Sail Away Ladies

At a glance
KeyG major
LevelIntermediate
TypeReel in 4/4
FormTwo eight bar strains, each played twice. 32 bars in all.
ChordsG, D, C
Tempo50 bpm
PositionFirst position, up to the fifth fret
AlsoUncle Bunt Stephens, 1926; Two strains, G, C and D

Uncle Bunt Stephens, a fiddler from near Lynchburg, Tennessee, recorded Sail Away Lady for Columbia in New York in March 1926, and it is the first record of the tune anyone knows. Stephens had spent that winter in Henry Ford's fiddle contests. He won the one in Lynchburg, placed in Nashville and Louisville, and afterward claimed a national title that Ford never held a contest for.

Harry Smith put the record on his Anthology of American Folk Music in 1952, the year after Stephens died, and judged the playing to be in a style older than the Civil War. The tune itself is older than the record, with no one source. It turns up as Great Big Taters in Sandy Land, and Kentucky fiddler Jake Phelps played it as Sail Away Huldy. Ira Ford printed it in Traditional Music in America in 1940.

Uncle Dave Macon and his Fruit Jar Drinkers recorded it in 1927 with a sung refrain, and British skiffle bands turned that refrain into Don't You Rock Me, Daddy-O, a hit for the Vipers and for Lonnie Donegan in 1957, so a Tennessee square dance tune ended up on the British charts.

Fiddlers play it in G, and the mandolin gets it whole in first position. The low strain sits on the A and D courses and keeps coming back to the B on the second fret of the A course. The high strain climbs to the g on the E course and falls back through the same B, A, G, E the low strain uses. That shared ending is the hook, and it is also the bar to get clean first.

Mandolin tab and sheet music

Both parts, written the way the app plays them: standard notation on top, mandolin tab underneath, chord letters over the bars where the chord changes.

Play it with the band
𝄞 ♯ 4 4 T A B A G 2 2 5 0 5 2 5 2 0 5 2 5 2 D 2 0 5 2 0 2 4 G 5 0 5 0 5 0 𝄞 ♯ T A B 2 2 5 0 5 2 5 2 0 5 2 5 2 D 2 0 5 2 0 2 4 G 5 0 5 2 5 𝄞 ♯ T A B B G 3 3 5 3 0 5 2 C 0 2 0 5 0 3 G 3 3 0 5 2 5 5 0 5 3 2 5 𝄞 ♯ T A B 0 0 5 2 0 5 0 D 0 2 0 5 4 0 2 0 5 2 0 2 4 1. G 5 0 5 2 5 2. G 5 0 5

Tuning G D A E. Every note sits in first position, so nothing here moves past the fifth fret. On a phone, drag the sheet sideways to read across a line.

Tempo50BPM
Both parts, repeats and allThe melody only, so you can hear the shape of the tune before you pick it apart. The number counts in 2, one boom-chuck to a beat, the way a jam and a backing track count a reel. A jam calls a reel around 100 and up.

The chords, and a band to play them with

What a jam plays behind this tune, bar by bar. An old-time reel on G and D, with one C in the high strain.

Tempo50BPM

The number counts in 2, one boom-chuck to a beat, the way a jam and a backing track count a reel. A jam calls a reel around 100 and up.

A x2

GGDGGGDG

B x2

GCGGGDDG

Two eight bar strains, each played twice. 32 bars in all.

The band plays from the row above, at the tempo set there, and lights each bar of the tab as it goes. Changing the chords opens the app, and the link keeps what you wrote.

Think you have it under your fingers?

Mandolin Trainer listens through your microphone and grades the tunes on its shelf note by note, so you find out where a tune falls apart before the jam does. This one is not on the shelf yet. Free while it is in beta.

Play it in the app

Runs in your browser. The audio never leaves your device. iOS app coming soon.

More tunes

What else is written out here, and what is next in line.