Eighth of January
Reel in 4/4, D major, 50 bpm
| Key | D major |
|---|---|
| Level | Intermediate |
| Type | Reel in 4/4 |
| Form | Two four bar strains, each played twice. 16 bars in all. |
| Chords | D, G, A |
| Tempo | 50 bpm |
| Position | First position, up to the fifth fret |
| Also | Named for January 8, 1815; Two four bar parts, AABB |
Eighth of January is one of the most widely played Southern fiddle tunes, and its name is a date. On January 8, 1815, Andrew Jackson's small American army routed a British force at New Orleans, after the peace treaty ending the War of 1812 had been signed and before either side knew it. The Traditional Tune Archive says the tune was first called Jackson's Victory, and that the anniversary was kept with parties and dances all through the nineteenth century, especially in the South. Around the Civil War, after Jackson's reputation had suffered, the title was changed to name the battle and leave out the man.
How old the tune is gets argued. The Archive reports that some think it was refashioned from an older tune called Jake Gilly, while the folklorist Tom Rankin suggested it may be older than the battle, and American, with no obvious British parent. It was on record by 1928, played by the Arkansas Barefoot Boys and by Dr. Humphrey Bate's Possum Hunters in Nashville. Herbert Halpert recorded Mississippi fiddlers playing it in 1939 and Vance Randolph recorded Ozark fiddlers in the early 1940s, both for the Library of Congress.
In 1936 Jimmy Driftwood, a school teacher in Timbo, Arkansas, put new words to it about the battle, The Battle of New Orleans, reportedly to get his students interested in history. Johnny Horton's record of that song went to number one on the Billboard Hot 100 in 1959. The song and the record are still under copyright, and this page carries only the old fiddle tune underneath them.
The page writes it the way bluegrass and old-time jams play it: a high strain and a low one, four bars each, both played twice, on D, G and A. On a mandolin the low strain is the lesson. F sharp, D, A, D, then B, D, A, B puts the open D course on every other note, so the pick crosses back to the same string again and again. Keep the down, up steady and let the open D ring under the melody the way a fiddler's drone does.
Mandolin tab and sheet music
Both parts, written the way the app plays them: standard notation on top, mandolin tab underneath, chord letters over the bars where the chord changes.
Tuning G D A E. Every note sits in first position, so nothing here moves past the fifth fret. On a phone, drag the sheet sideways to read across a line.
mandolintrainer.com/tunes/eighth-of-january/
The chords, and a band to play them with
What a jam plays behind this tune, bar by bar. The tune under The Battle of New Orleans. Four bar parts, D, G and A.
The number counts in 2, one boom-chuck to a beat, the way a jam and a backing track count a reel. A jam calls a reel around 100 and up.
The band could not start. Check the sound is not muted and try again.
A x2
B x2
Two four bar strains, each played twice. 16 bars in all.
The band plays from the row above, at the tempo set there, and lights each bar of the tab as it goes. Changing the chords opens the app, and the link keeps what you wrote.
Think you have it under your fingers?
Mandolin Trainer listens through your microphone and grades the tunes on its shelf note by note, so you find out where a tune falls apart before the jam does. This one is not on the shelf yet. Free while it is in beta.
Play it in the appRuns in your browser. The audio never leaves your device. iOS app coming soon.
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