Mandolin Trainer Tunes

Camptown Races

At a glance
KeyG major
LevelBeginner
TypeSong tune in 4/4
FormTwo eight bar strains, each played twice. 32 bars in all.
ChordsG, D7, G7, C
Tempo60 bpm
PositionFirst position, up to the fifth fret
AlsoStephen Foster, 1850; Verse and chorus, sixteen bars

F. D. Benteen published this in February 1850, under the title De Camptown Races or Gwine to Run All Night. Foster was twenty three. Christy's Minstrels carried it to a national audience the same year, and it has never really left circulation since: it is in schoolrooms, in cartoons, at ball games, and in almost every American songbook printed in the last century and a half.

It came off the minstrel stage, and that is the part usually left out. Foster built it for blackface performance, with dialect verses and a chorus that answers the singer back, and the words that were printed with it in 1850 are a caricature. Modern printings quietly swap them for plain English. This page carries no words at all, the same decision the Oh! Susanna page makes for the same reason: the melody is public domain and belongs to everybody, and the original verses are a document of where the song came from that can stay in the archive.

As music it is a lesson in how little a song needs. Sixteen bars, two chords for most of it, and a call and response built into the shape: the singer gets a line, the room gets two syllables back, and the two halves of the verse are the same four bars with a different landing. The chorus is the only place the tune goes anywhere. It opens low, jumps an octave to a held high g, and then walks back down through the C chord to where it started.

The two tunebooks this page follows both write it in D, and the session settings write it in G. G is carried, because that is where a singer puts it and because it lands the whole song in one octave on a mandolin, from the G at the fifth fret of the D course to the g at the third fret of the E course.

On a mandolin the chorus is the work. The first bar of it is a dotted quarter on the low G and then a climb to d, so the pick has to sit still on a long note and then move, and the bar after it is a held g at the top of the tune, which wants tremolo. The last bar before home, A, B, c, then B and two quick A's, is the only run in the song and the only place the little finger is asked to do anything.

Mandolin tab and sheet music

Both parts, written the way the app plays them: standard notation on top, mandolin tab underneath, chord letters over the bars where the chord changes.

Play it with the band
𝄞 ♯ 4 4 T A B A 5 G 5 5 2 5 0 5 2 D7 2 0 2 0 5 𝄞 ♯ T A B G 5 5 2 5 0 5 2 D7 0 2 0 G 5 5 𝄞 ♯ T A B B G 5 5 2 5 G7 3 C 0 0 3 0 G 5 2 𝄞 ♯ T A B 5 5 2 5 0 5 2 D7 0 2 3 2 0 0 G 5

Tuning G D A E. Every note sits in first position, so nothing here moves past the fifth fret. On a phone, drag the sheet sideways to read across a line.

Tempo60BPM
Both parts, repeats and allThe melody only, so you can hear the shape of the tune before you pick it apart. The numbers count in 2, one boom-chuck to a beat, the way a jam counts: 50 is a walking tempo for learning the notes, and 70 is about where a string band takes it.

The chords, and a band to play them with

What a jam plays behind this tune, bar by bar. Foster's song, and the chorus opens on a G seventh that pulls onto the C.

Tempo60BPM

The numbers count in 2, one boom-chuck to a beat, the way a jam counts: 50 is a walking tempo for learning the notes, and 70 is about where a string band takes it.

A x2

GGD7D7GGD7G

B x2

GG7CGGGD7G

Two eight bar strains, each played twice. 32 bars in all.

The band plays from the row above, at the tempo set there, and lights each bar of the tab as it goes. Changing the chords opens the app, and the link keeps what you wrote.

Think you have it under your fingers?

Mandolin Trainer listens through your microphone and grades the tunes on its shelf note by note, so you find out where a tune falls apart before the jam does. This one is not on the shelf yet. Free while it is in beta.

Play it in the app

Runs in your browser. The audio never leaves your device. iOS app coming soon.

More tunes

What else is written out here, and what is next in line.