Mandolin Trainer Chords

Mandolin chords

Every mandolin chord on this page is one you can put under a tune tonight: the core majors first, then the minors, then the dominant sevenths. The grids read the way a chord chart always has, nut at the top and strings running down the page low to high, G D A E. Four of the seven core shapes are closed, which means they have no open strings holding them where they are, and a closed shape slides. Learn the A and you have not learned one chord, you have learned twelve.

The chord chart

Numbers under each grid are the frets, low string to high. A number in parentheses is a string you add when your hand allows it: it doubles a note the shape already has, so the chord is whole without it. Print it and the whole chart comes out, all three groups.

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Core mandolin chords

The seven a beginner needs first. The first three ring against open strings, and the rest are closed shapes that move.

G D A E
G0-0-2-3G D B Gopen shape, root position
G D A E
C0-2-3-0G E C Eopen shape, 2nd inversion
G D A E
D2-0-0-2A D A F#open shape, 2nd inversion
G D A E
A2-2-4-(5)A E C# (A)moveable root shape, root position
4fr G D A E
B4-4-6-(7)B F# D# (B)moveable root shape, root positionThe A shape, two frets up. Not one finger moves relative to the others.
G D A E
E1-2-2-(4)G# E B (G#)moveable first inversion
G D A E
F2-3-3-(5)A F C (A)moveable first inversionThe E shape one fret higher, so the second closed shape moves too.

Minor mandolin chords

Low shapes for the five minors that turn up most. Every one of them is a major with its third dropped a fret and nothing else touched.

G D A E
Am2-2-3-(0)A E C (E)open shape, root position
G D A E
Em0-2-2-(0)G E B (E)open shape, 1st inversion
G D A E
Dm2-0-0-1A D A Fopen shape, 2nd inversion
G D A E
Gm0-0-1-3G D Bb Gopen shape, root positionOpen G with the third dropped a fret, which is the whole minor rule.
G D A E
Bm4-0-2-2B D B F#open shape, root position

Seventh mandolin chords

A dominant seventh has four notes and this instrument has four courses, but the ones that fit a hand give a note up. Some of these keep the root, and some keep the fifth and the third and let the root go: that is a shell, and it is what a mandolin plays behind a fiddle anyway.

G D A E
G70-0-2-1G D B Fmoveable root shape, all four notes
G D A E
C70-2-1-(0)G E Bb (E)moveable second inversion, a shellNo C in it. The third and the flat seventh are what make a seventh, so the root is the note that gives way.
G D A E
D72-4-3-(2)A F# C (F#)moveable second inversion, a shellThe C7 grip, two frets up.
G D A E
A72-2-4-3A E C# Gmoveable root shape, all four notesThe G7 grip, two frets up.
G D A E
E71-2-5-(4)G# E D (G#)moveable first inversion, rooted
4fr G D A E
B74-4-6-5B F# D# Amoveable root shape, all four notesAnd two frets higher again.

A filled dot is a finger. A hollow dot, and a number in parentheses, is the string you add when your hand allows it. An o above the nut is an open string, and a dashed o is an open string you can leave out. An x is a string this shape does not play.

A chart cannot hear you

A diagram shows you where the fingers go and stops there. Mandolin Trainer listens through your microphone, hears which notes of the chord are sounding, and names the string that should be carrying a note it cannot hear. The Chord Theory section teaches these shapes and then checks them. Free while it is in beta.

Open the app

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Learn these on a real tune

Chords stick once they are holding something up. Every tune here is written out with the chord letters over the bars where the change happens. The circle of fifths for mandolin tells you which three of these shapes a key is going to call for.